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MARIAN BANTJES

Represented by Dutch Uncle

 

Marian Bantjes

Marian Bantjes has been variously described as a typographer, designer, artist and writer. Her work has been published in over 50 books and magazines, she has spoken at over 100 events worldwide, and her work is included in the permanent collection of the Cooper-Hewitt National Design Museum in New York. She has authored two books published by Thames & Hudson: ”I Wonder", and "Pretty Pictures" (a monograph of her work). She is a member of Alliance Graphique Internationale (AGI). 

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Managed worldwide by Helen Cowley
helen@dutchuncle.co.uk

 


COLLABORATIONS

 
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Marian Bantjes Podcast

Selected Work

Varoom • The New New / Pen, Inks & Metallic Tape

Exhibition at CHiDM-Chicago Design Museum

Sagmeister • Sugar type

When Lynda.com did a documentary on me, they asked me to do the end-credit titles for the film. This is my first animation ... I created all the individual frames for the credits in Illustrator, and the folks at Lynda.com put it together for me. More information here: http://www.bantjes.com/project/lyndacom-video-credits

Empathy • Varoom Magazine

Sorrow Installation

Wunderkammer Solo Exhibition • MUDAC

Sustainability

Play• Varoom Magazine

Chris Adrian • The Children's Hospital

Mountain Spectrum

AGI • CoExistence

Hemlock • Flames Wrapping Paper

I find that for myself, without exception, the more I deal with the work as something that is my own, as something that is personal, the more successful it is.
— Marian Bantjes

G2 Puzzle Special

Money Alphabet • Fortune Magazine

Typecon Poster

Walrus Mag • Schizophrenia

New York Magazine

A Better Angel • GRANTA Books

The Great Night • GRANTA Books

AGI Congress

Wunderkammer • Solo Exhibition Poster

The National • Poster

Design Indaba

The National • Orpheum Theatre

I, along with 10 other designers (including Milton Glaser, Louise Fili, Neville Brody, Chip Kidd, among others) was asked to design one of 10 special covers for GQ Italia's 10th anniversary issue. I'm very happy with my structured, manly, but pretty result.

A Cure for Love • Wired Magazine

The Party In The Garden

+ Marian Bantjes

Bantjes started working in the field of visual communication in 1983 and worked as a book typesetter from 1984–1994. She became well known as a talented graphic designer from 1994–2003, when she was a partner and senior designer at Digitopolis in Vancouver, BC, Canada, where she created identity and communication designs for a wide range of corporate, education and arts organizations.[1] She owned and ran the design firm, with a small staff.[2]

In 2003 Marian left her firm and "strategic design" behind to embark on the work that she has since become internationally known for. Describing herself as a Graphic Artist, working primarily with custom type and ornament, Bantjes' highly personal, obsessive and sometimes strange graphic work has brought her international recognition and fame as a world-class visual designer.[3] Bantjes is known for her detailed and lovingly precise vector art, obsessive hand work, patterning and highly ornamental style.

Stefan Sagmeister calls Bantjes "one of the most innovative typographers working today," and Noreen Morioka calls Bantjes "the Doyald Young of her generation." In 2005 Bantjes was named one of 25 up-and-coming Designers to Watch (STEP Magazine, January 2005).

Bantjes' clients include Pentagram, Stefan Sagmeister, Saks Fifth Avenue, Bruce Mau Design, Young & Rubicam Chicago, Anni Kuan, Houghton Mifflin, Print Magazine, Wallpaper* , WIRED, The Guardian (UK), The New York Times, among others. She has also worked on design materials for AIGA, TypeCon 2007, and the Society of Graphic Designers of Canada (GDC).

Her work has been featured in STEP, étapes (Paris), Azure, Matrix (Quebec) Tupigrafia (Brazil) and Print, Fontshop's Font 004, and Eye magazine (#58). She has written the design book "I wonder",[4] published by the Monacelli Press, which was dubbed one of the 13 best design books of 2010 by Fastco design.[5] Bantjes has been honored with numerous awards and her work is now part of the permanent collection at the Cooper-Hewitt National Design Museum.[6]

Bantjes is an accomplished writer on the subjects of typography and design, and was a regular contributor to the popular design website Speak Up. Speak Up is no longer in publication. Bantjes is frequently invited to sit on design award juries and speak at design conferences and design schools around the world. Bantjes says "throwing your individuality into a project is heresy" but she has built a career doing just that, as her signature style is unmistakable.[7] In 2007 she released Restraint, a typeface that integrates her style of ornamentation to be used as shapes and borders.[8]

From 2002–2006 Bantjes served as the Communications VP of the Society of Graphic Designers in British Columbia. She was also the Chair and Creative Director of the 2006 Graphex Canadian design awards. In 2008 Bantjes was invited back to serve as a judge for 'Graphex 2008 Canadian National Design Awards'. Bantjes lives and works internationally from her base on Bowen Island off the west coast of Canada, near Vancouver, BC.[9]

+ Exhibitions

  • March 2008 - Included in the exhibit “Rococo: The Continuing Curve” at the Cooper Hewitt National Design Museum (Smithsonian), New York, NY.
  • Jan–Feb 2009 - Solo exhibit at the University Art Gallery, Department of Art and Design, California Polytechnic State University, San Luis Obispo, CA
  • December 2009 - Included in the exhibit “Lubalin Now,” at The Cooper Union, School of Art, New York, NY.
  • April 2010 - One of 14 designers represented in droog’s “Saved by droog” exhibit at the Salone del Mobile in Milan, Italy.
  • July–October 2010 - Centraal Museum Utrecht, Netherlands in "Saved by droog" collection.
  • March–June 2011 - Solo exhibit - OnSite Gallery at OCAD, Ontario College of Art and Design, Toronto, ON, Canada
  • June 2013 - Included in the exhibit "Work at Play," at the Chicago Design Museum, Chicago, IL.

+ Awards

  • Print’s Regional Design Annual, Certificate of Excellence, with Stefan Sagmeister for “The Vanity of Allegory”. 2006.
  • Communication Arts, Award of Excellence, (as writer) with Pentagram for “The Alphabet.” 2007.
  • Print’s Regional Design Annual, Certificate of Excellence, with Pentagram for “Yale School of Architecture, Seduction Poster”. 2007.
  • 26th Annual Western Magazine Awards. For illustration “My Dear Can We Work Together” in Vancouver Review. 2008.
  • Type Directors’ Club tdc2. With Ross Mills for the font “Restraint”. 2008.
  • Type Directors’ Club 54. For the TypeCon 2007 material. 2008.
  • Communication Arts Design Annual 2009. With Pentagram for Strathmore paper ream wrap.