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The Dutch Uncle Journal is a considered study of illustration, design, and animation in practice, how they are conceived, commissioned and realised in the wider world.
This is where we share the thinking behind our latest projects and engage with the wider shifts shaping visual culture, from the resurgence of handmade texture to the ways art redefines the spaces we inhabit.
A considered collection of work and ideas from the front line of contemporary illustration.
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Brian Rea / Noma Bar / Satoshi Hashimoto / Javi Aznarez / Debora Szpilman / Simone Massoni / Ping Zhu / Klaus Kremmerz / Lucas Varela / Charlotte Trounce / Marc Majewski / Kustaa Saksi / Alessandro Gottardo (SHOUT) / YOCO / Hsiao-Ron Cheng / Jisu Choi / Graham Roumieu / Tavis Coburn / Joel Holland / Robert Nicol (MA RCA) / Clara Dupré / Marc Burckhardt / Aesthetic Apparatus / Jon Gray (Gray318) / Christian Montenegro / LAPRISAMATA / Gaku Nakagawa / Adam McCauley
Jisu Choi: The Illustrator Behind the Iconic Poster for Netflix’s "BTS: The Return"
Discover the story behind the official Netflix poster for BTS: The Return, illustrated by acclaimed South Korean artist Jisu Choi.
Commissioned for the global premiere on March 27, this exclusive artwork captures the evolution of BTS from military service to their new album, Arirang. Directed by Bao Nguyen, Jisu’s intricate hand-drawn style perfectly encapsulates the K-pop icons' journey.
Explore the creative process behind the year’s most anticipated documentary.
The 2026 Mirror: Fritz Lang’s METROPOLIS Prophecy and the Art of Christian Montenegro
It’s 2026, the exact year the classic story Metropolis was set in a century ago. While today’s world uses tech to map DNA and solve medical mysteries, Christian Montenegro’s art takes us back to the bold, mechanical look of the industrial age. His bauhaus inspired illustrations show the perfect balance between the way we think and the way machines work.
Brian Rea illustrates 52 Break-Up Lines for The New York Times, Modern Love
The New York Times Modern Love feature gathers 52 real-life breakup lines, funny, brutal, and unexpectedly poetic, illustrated by Brian Rea. His minimal, human drawings elevate the piece into a quietly powerful study of how relationships end, revealing humour and vulnerability in equal measure.
Amélie: 25th Anniversary Film Poster by Javi Aznarez for Curzon Cinema’s
To mark 25 years of Amélie, Javi Aznárez has created an intricately layered poster for the UK re-release with Curzon a detailed, character-filled tribute that captures the film’s warmth, whimsy, and enduring visual magic in a single, richly composed image.
The Art of The Long Read: Illustrated by Javi Aznarez for The Guardian
The Guardian Long Read Issue № 3, with creative direction by Chris Clarke, features cover illustrations by Javi Aznarez.
Printed on linen-embossed stock with fluorescent Pantones, the edition showcases premier talent including Justin Metz, Paul Blow, and Spencer Wilson. It is a definitive collection of contemporary craftsmanship in global editorial illustration.
The Art Book Every Child Should Own: Katy Hessel and Ping Zhu's The Illustrated Story of Art Without Men
The Illustrated Story of Art Without Men," is a new children's book by Katy Hessel with vibrant illustrations by Ping Zhu. Re-examining art history to spotlight overlooked female artists, challenging centuries of male-dominated narratives.
Hand Drawn Illustration: Why Rob Nicol is a Refreshing Antidote to "Gray Goo" Illustration
Discover why Robert Nicol’s hand-drawn illustration is the definitive antidote to 'grey goo' design. Explore the 2026 resurgence of the human crafted touch in editorial illustration, highlighting Nicol’s 'wonky' aesthetic and RCA-trained expertise.
Illustrated Coffee Packaging Design: From Coffee Bag to Brand Obsession
Coffee packaging has shifted from generic jars to design-led branding where illustration drives identity.
In a crowded market, bold artwork and storytelling turn bags into creative canvases. While trends may evolve toward minimalism or sustainability, packaging remains a powerful tool for differentiation and cultural impact.
Drawing the Line: What the $1.5 B Anthropic Case Means for Illustrators, AI, and Copyright
The $1.5 billion Anthropic settlement marks a turning point for AI and copyright, confirming that creative work cannot be used to train models without consent. For illustrators and visual artists, it reinforces intellectual property rights, pushes for transparency in AI training, and signals growing legal accountability across the generative AI industry.
The case sets a precedent for fair compensation and ethical collaboration between technology and creativity.
Joel Holland — NYC Street Vendors published by Prestel
Joel Holland’s NYC Street Vendors (Prestel) frames the city’s curbside economy as essential infrastructure. Mapping over 150 mobile businesses across all five boroughs, this "visual love letter" proves that illustration is the ultimate tool for capturing the grit and humanity of the rolling kitchens that feed and shape the cultural fabric of New York.
Gestalten :This Is Where We Live. Why Spatial Illustration could be 2026’s Biggest IllustrationTrend
Is the era of the clinical 3D render over? Discover how This Is Where We Live (gestalten) is setting the 2026 trend for "Spatial Storytelling." Featuring Jisu Choi, Ilya Milstein, and Ugo Gattoni, this volume proves that illustration is the ultimate tool for reimagining our relationship with architecture and memory. Is this the 2026 Big Illustration Trend?
Marc Burckhardt : Album Art for Mitski’s 8th Studio Album
In the age of digital sheen, Marc Burckhardt’s tactile painting for Mitski’s 8th album, Nothing’s About to Happen to Me, reclaims the power of the physical. Released February 2026, this collaboration proves that handmade artistry is the ultimate infrastructure for global icons—transforming vinyl, CD, and cassette into visceral, collectible landmarks of modern music.
The Art of the Elegant Outlaw: Javi Aznarez and the Lord of Barmbeck
In 1920s Hamburg, Julius Adolf Petersen—the "Lord of Barmbeck"—turned burglary into a high-fashion performance. For Stern Crime, artist Javi Aznarez illustrates this non-violent "Robin Hood" with a sharp "Ligne Claire" lens, revealing a tactical irony: the Lord was too vain to be invisible. By dressing for a gala to rob a stagecoach, Petersen proved that in the underworld, a spotlight is often more dangerous than a gun.
Klaus Kremmerz: Illustrating the Art-World Novel —Six Books Selected by Fiona Duncan
A Novel Approach (Gagosian) defines the 2026 trend for "Literary Illustration." Pairing Fiona Duncan’s critique with Klaus Kremmerz’s art, this collaboration proves that illustration is the ultimate tool for reimagining our relationship with art history, power, and the creative ego.
Learning to Look Twice: The Book of Opposites illustrated by Noma Bar
Dutch Uncle explores 'The Book of Opposites,' where philosopher Jeremy Fogel and illustrator Noma Bar use negative space to investigate the 'Unity of Opposites' and the paradox of identity.
Why Regular Illustration Commissions Matter: Javi Aznarez x Mengya Magazine
Beyond the hunt for one-off commissions, Javi Aznarez’s monthly covers for Mengya Magazine demonstrate the power of the "visual column." Entering 2026, this partnership proves that repetition builds more than just a portfolio—it fosters the trust, speed, and creative freedom necessary to transform a magazine cover into a definitive cultural landmark.
Simone Massoni x Criterion Collection : Trouble In Paradise
Simone Massoni’s cover for Trouble in Paradise proves that film packaging is a design problem worth solving. Arriving in a sharp season of Criterion releases, Massoni’s art captures the film’s Lubitsch elegance, reminding us that a masterfully illustrated sleeve defines a cinematic era long before the disc even spins.
FOSCARINI x BRIAN REA — Whats In A Lamp?
Brian Rea’s collaboration with Foscarini for What’s in a Lamp? transforms Italian lighting into narrative subjects. Through six animated films, Rea applies his signature "Modern Love" sensitivity to designs by Garcia Cumini and Ionna Vautrin, proving that illustration and motion can shift a lamp from a technical solution to a vessel for joy, memory, and quiet conversation.
Noma Bar Illustrates Early Fiction by Margaret Atwood for Vintage Classics
Noma Bar illustrates early Margaret Atwood fiction for Vintage Classics, creating minimalist book covers that echo the tension and psychological depth of Atwood’s writing. Using visual double meanings and delayed reveals, Bar’s designs bring subtle unease to titles like Bodily Harm and Bluebeard’s Egg, blending illustration and literary tone seamlessly.
Noma Bar x Sartorious
Noma Bar collaborated with Sartorius on a global illustration and animation campaign spanning print and digital media. Designed for international audiences, the work simplifies complex scientific processes into clear, structured visuals, ensuring consistent communication across markets while supporting messaging around laboratory research, pharmaceuticals, and advanced therapies.